After
a few hundred meters you breakout into countryside. The trail is covered with large pavers so the
walking is easy. You head uphill for a
good kilometer or two with valley views on each side. It reminded us of one of our favorite hikes
back in the Bay Area – Edgewood Park. We
were there fairly early, but by no means as early as some. There were people there, but not what I would
call crowded.
As
the trail leveled off we reached a village with some guesthouses, cafes, and
some artist studios. We kept trekking
along and began to hit rice paddies. We
were at the season where we could see the beginnings of the next crop. Some paddies were being prepped by turning
over the muddy soil beneath the water with a walk behind rototiller. Afterwards, the bottom was smooth and leveled
by hand with a screed. Then bamboo poles
were used to layout a grid with impressions in the mud. Finally, rice shoots were planted at the
intersection of the grid lines.
It
turns out the village is called Keliki and is home to an art movement, the Keliki miniature paintings. This started on the 70’s and one of the key
players was an artist named Wayan Surana.
We went into his gallery and ended up buying one of his works. His daughter was minding the gallery while he
was teaching an art class elsewhere. Our
purchase experience will be the subject of another post.
We
returned to our hotel in Ubud for lunch and a little bit of relaxation. Sitting in loungers by the pool for the
afternoon with no cares other than a scheduled 2pm massage. Post massage was cocktail time. Downtime is
good on trips like this—a body needs it’s rest!

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